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Eastman Johnson
THe Cranberry Harvest,Island of Nantucket
mk77
1880
Oil on canvas
27 3/8x54 1/2in
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Eastman Johnson
The Boy Lincoln
nn08
1868
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Eastman Johnson
The Lord Is My Shepherd
mk136
Oil on canvas
about 1863
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Eastman Johnson
The Hatch Family
mk139
Oil on canvas
1871
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Eastman Johnson
A Ride for Liberty
mk140
circa 1862
Oil on board
55.8x66.4cm
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Eastman Johnson
Not at Home
mk140
circa 1873
Oil on canvas
67.1x56.7cm
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Eastman Johnson
The Converstaion
mk146
1879
Oil on canvas
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Eastman Johnson
Das Ahornzucker-Larger
mk181
um 1865-73
Ol auf Holz
25.7x57.4cm
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Eastman Johnson
Das Leben im Suden
mk181
1859
Ol auf Leinwand
91x119cm
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Eastman Johnson
Die Familie Brown
mk181
1869
Ol auf Papier
auf Leinwand aufgezogen
59x72cm
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Eastman Johnson
Das Madchen,das ich Zurucklieb
mk181
vor 1875
Ol auf Leinwand
106.7x88.7cm
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Eastman Johnson
The Letter Home
mk195
1867
Oil on composition board
23x27
Musuem of Fine art
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Eastman Johnson
A Ride for Liberty-The Fugitive Slaves
mk195
1862
Oil on board
22x26
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Eastman Johnson
The Pension Agent
mk195
1867
Oil on canvas
25x37
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Eastman Johnson
Negro life at the South
mk212
Oil on canvas
36x45in
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Eastman Johnson
A Ride for Liberty -- The Fugitive Slaves
between 1860(1860) and 1864(1864)
Oil on paper board
55.8 x 66.4 cm (21.97 x 26.14 in)
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Eastman Johnson
The Sugar Camp
"The Sugar Camp (also known as Making Maple Sugar or Susan Ray's Maple Sugaring Kitchen)," oil on paperboard, by the American artist Eastman Johnson. 14 in. x 23 in. Yale University Art Gallery, gift of Teresa Heinz in memory of her husband H. John Heinz III, B.A. 1960. Courtesy of Yale University, New Haven, Conn.
cjr
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Eastman Johnson
Fugitive Slaves
Date between 1860(1860) and 1864(1864)
Medium Oil on paper board
Dimensions 55.8 X 66.4 cm (21.97 X 26.14 in)
cyf
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Eastman Johnson
Sugar Camp
English: "The Sugar Camp (also known as Making Maple Sugar or Susan Ray's Maple Sugaring Kitchen)," oil on paperboard, by the American artist Eastman Johnson. 14 in. x 23 in. Yale University Art Gallery, gift of Teresa Heinz in memory of her husband H. John Heinz III, B.A. 1960. Courtesy of Yale University, New Haven, Conn.
Date circa 1861-1866
cyf
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Eastman Johnson
Negro Life at the South
Negro Life at the South - Oil on canvas - 36 x 45.25 in
Date 1859(1859)
cjr
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| Eastman Johnson
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American portrait and genre painter, 1824-1906
American painter and printmaker. Between 1840 and 1842 he was apprenticed to the Boston lithographer John H. Bufford (1810-70). His mastery of this medium is apparent in his few lithographs, of which the best known is Marguerite (c. 1865-70; Worcester, MA, Amer. Antiqua. Soc.). In 1845 he moved to Washington, DC, where he drew portraits in chalk, crayon and charcoal of prominent Americans, including Daniel Webster, John Quincy Adams and Dolly Madison (all 1846; Cambridge, MA, Fogg). In 1846 he settled in Boston and brought his early portrait style to its fullest development. His chiaroscuro charcoal drawings, of exceptional sensitivity, were remarkably sophisticated for an essentially self-trained artist. In 1848 he travelled to Europe to study painting at the D?sseldorf Akademie. During his two-year stay he was closely associated with Emanuel Leutze, and painted his first genre subjects
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